Jill Trappler has worked as an artist in South Africa over the past fifty years. As a weaver and spinner by trade, Jill explores the dynamics of colour mixing, textures and surfaces. Although she is no longer involved in these trades or the teaching of them, she applies the same sensibility to her image making. Jill explores surfaces with colour and mark and as a non-figurative painter uses various tools to build her paintings.

Jill’s references come in a cascade of names: Maqhubela, Ainslie, Portway, Feni, Cezanne, Turner, Monet, Matisse. Additionally, influences have been found in Japanese, Chinese and Australian cultural artwork, cuneiform glyphs, tree glyphs and rock formations. Finally, light is an integral part of Jill’s practice: experiencing the artwork and nature at play.

The spaces and manner in which Jill works is important. Jill works at home: whether in her bedroom, kitchen, garage or dedicated studio space. A sanctuary and privilege; a place to internalize references and make work. Jill’s career has also been punctuated (if not defined) by working collectively, particularly in workshops. She has long subscribed to the Triangle Network model of working collaboratively, with learning time energized by interaction with other.

Alongside her artistic practice, living in Cape Town for the past 50 years, Jill has worked throughout the Peninsula creating employment opportunities by teaching various crafts and art making. Her ability to communicate and her patience in sharing skills with people of various ages and languages has resulted in project and personal development.

The combinations of project work, teaching and personal practice has a significant impact across Jill’s work. This accumulation of interactive activities contributes to her daily studio practice.

Jill exhibits regularly in group shows nationally and abroad. Her solo exhibitions are numerous and continue to be a priority in her practice. Jill’s work is held in number of important collections, including the Iziko South African National Gallery, Vodacom, the University of Cape Town, The British Museum, amongst others.

2025 Artist Statement

Energy from a summer with family plus memories from 2024 carry me through into these early months of 2025 in Cape Town. Reading, swimming, playing, working.

Welcoming people into our home for “the open drawers” experience was a highlight of 2024. Artists spend hours alone in their studios and rarely have the opportunity of enjoying discussion of their work in the informal environment where the work has been made and enjoys being seen in various ways. 

Photographs and slides from as early as 1974 have been digitalized and I am in discussion with a few friends recalling time working and making objects together; the zeitgeist and personal interactions from the mid-seventies to the present hold clues for future projects and bring focus to the strengths and weakness that need attention. 

The present includes days in my studio, gearing onto the fifth year of the Orange Art Project and setting up my teaching program.

The Monday Mornings WhatsApp group brings attention to links and images that are enjoyed by many. This is the group made up of friends and artists who have attended workshops or Monday morning sessions over the past few years, and before! There is a narrative about this group that goes back to the 80’s when we gathered in the Annexe of the SANG.

Studio visits: I have visited two studios this year and found the conversations, ideas and practices very interesting. Please contact me if you need an extra pair of eyes and some discussion about your work.

Enjoy the new catalogue from my exhibition, “in the stillness of time, wood becomes water.”

© 2024 Jill Trappler | All Rights Reserved