‘BREATH’

JILL TRAPPLER at ASSOCIATION FOR VISUAL ARTS (AVA)
presents a solo exhibition of recent paintings
22 January to 10 February 2001

The Association for Visual Arts (AVA) at the Metropolitan Gallery, 35 Church Street, Cape Town, is hosting a one-person exhibition of recent paintings, “Breath”, by Cape Town artist and art educator, JILL TRAPPLER, in all three AVA gallery spaces. The exhibition opens on Monday, 22 January at 6pm and runs until noon on Saturday, 10 February 2001.

JILL TRAPPLER, in this exhibition, focuses once again on the non-figurative in her paintings. This has been her chief area of artistic output in recent years. She has chosen to be free of the burden of representation, of the material. Her concern is with pure colour, form, surface, texture and how these integrate, resulting in composition, structure and the use of space on the canvas or the paper. Her work is never ‘easy’. There is never a simple ‘explanation’ or a ‘message’ or an ‘issue’. There is no attempt at didacticism or the reduction of the artwork to a commodity, no attempt to serve ‘the market’; rather it is for her about beauty, seeing “the wholeness of eternity, beauty, usually unexpected, yet sought after. It finds your heart and your guts, it is breathtaking, abrupt, exhilarating, so fierce, so true that you wonder if you can bear it, but it is in the pattern of things, waiting to visit, in time. Then it is true. So, I try to find moments of this with colour, because it is in life.”

Read More‘BREATH’

May 2006 “This is where we meet” An exhbition of paintings, KZNSA gallery Durban.

There is something unique about a meeting place, a “metaxy”, where personal boundaries coalesce and open up an offering for interaction and discovery. This exhibition explores the “in between space” or intermediate region where we meet. I have used paint, canvas and paper.

The transformation of raw material into cloth and its transformation into clothing, (leather, silk, appliqué, weaving, ikat) all carry a tiny content of the people engaged in their creation and the people who wear them. They suggest another time and place, other lives lived, a reality carried by their patterns, textures and colours. They beckon one into an intermediate space.

Read MoreMay 2006 “This is where we meet” An exhbition of paintings, KZNSA gallery Durban.

Jill Trappler; an exhibition at the AVA Gallery, Cape Town, February 2006. “This is where we meet”

There is something unique about a meeting place, a “metaxy”, where personal boundaries coalesce and open up an offering for interaction and discovery. This exhibition explores the “in between space” or intermediate region where we meet. I have used paint, canvas and paper.

The transformation of raw material into cloth and its transformation into clothing, (leather, silk, appliqué, weaving, ikat) all carry a tiny content of the people engaged in their creation and the people who wear them. They suggest another time and place, other lives lived, a reality carried by their patterns, textures and colours. They beckon one into an intermediate space.

Read MoreJill Trappler; an exhibition at the AVA Gallery, Cape Town, February 2006. “This is where we meet”

AVA Gallery 18 February to 7 March 2008 written by Estelle Jacobs

This exhibition of specially selected work, entitled Joe’s Choice, brings together the experienced, discerning eye of long-established art dealer, artist and collector, Joe Wolpe (born 1922) with the creative talent and artistic vision of renowned Cape Town artist, Jill Trappler (born 1957).

Fundamentally it showcases a tight selection by Wolpe of works, in a variety of media from acrylic on canvas to etchings, made by Trappler over the last three decades. It is borne out of a studio showing by Trappler in July 2007 and Wolpe’s abiding, strong interest in her extensive oeuvre.

Read MoreAVA Gallery 18 February to 7 March 2008 written by Estelle Jacobs

March 2008, Seippel gallery Johannesburg

We spent an afternoon and a morning putting this show up. It was not curated or even selected. I had five pieces from Joe Wolpe, three NFS and two others. Ralf Seippel, the gallery director had selected my work, Nicolas Hales and Howard Minnie’s work when he visited Cape Town in December 2007. He and I fetched Bill’s work from Fiekes home. Ralf knew Mbongeni Buthelezi and Malcolm Jiyani’s painting. This is the first in a series of exhibitions of abstract shows that he would like to do.

The gallery is a large warehouse space in down town JHB. The light through the industrial windows is soft JHB light that changes as the late afternoon storm clouds gather. Ralf was very clear on the placing of the work.

Read MoreMarch 2008, Seippel gallery Johannesburg

JILL TRAPPLER at Tatham Art Gallery in Pietermaritzburg 29 June to 23 July 2000

cWell-known Cape Town artist and art educator, JILL TRAPPLER, will exhibit a selection of her non-figurative paintings at the Tatham Art Gallery, corner Longmarket Street and Commercial Road, Pietermaritzburg, opening at 6 pm on Thursday, 29 June and running until Sunday, 23 July 2000.

Born in Benoni, Gauteng, in 1957, and educated at the Collegiate Girls’ Shool in Pietermaritzburg, Jill Trappler studied at the Johannesburg Art Foundation under Bill Ainslie and at UNISA. As a professional weaver, she worked in Johannesburg and London, and on Tristan de Cunha and St Helena Islands. In addition to setting up printmaking and paper mache employment projects, she initiated weaving employment projects at the Philani Nutrition Clinics in Crossroads and Khayelitsha. She established the Dorman Street and Valkenberg art studios and co-founded Greatmore Studios in Woodstock. She has often participated in and co-ordinated the Thupelo workshops, both national and international, in Johannesburg and at Community Arts Project (CAP), South African National Gallery (SANG) and Robben Island in the Cape. She has taught art extensively at Federated Union of Black Artists, Baragwanath Hospital, CAP, the Occupational Therapy Department at Groote Schuur Hospital, University of Cape Town Summer School, and from home in Cape Town, where she now lives and works.

Read MoreJILL TRAPPLER at Tatham Art Gallery in Pietermaritzburg 29 June to 23 July 2000

Opening the Western Cape doctors exhibition Nov 09

I really enjoy surprises like this; the ideas that many of us have of Doctors and doctors have of them selves are usually quite severe and unnerving. Ideas about artists? I suppose there are question marks and exclamations marks…. And of art groups, the ideas remain open to interruption! How can we begin to unravel this bundle of contradictions, similarities and projections? I would like to put forward a few clues and ask for some lateral thinking. (added that I enjoy group exhibitions as they give the viewer a chance to see various ways of painting a landscape for example and also for the images to relate to one another. Secondly that group activities like this assist people to interact tin a different way, especially in terms of learning from other work and preparing a show.)

This Initiative was started in 2002 by Peter Nicole and others. Peter had been a member of the S A medical art association for some years; The first show of the WC doctors group was in the foyer of the Kingsbury hospital and now alternates annually between Kingsbury and Constantiaberg hospitals. This year is the 8th exhibition and there are 32 doctors exhibiting. Each Dr./ artist selects the work they want to exhibit; there is no selection committee. There are a variety of media and the practitioners come from a variety of medical specialties’.

Read MoreOpening the Western Cape doctors exhibition Nov 09

SMAC exhibition February 2010 A personal response by Eithne Owens

Dear Jill,

Today I went back to SMAC to savour your exhibition, “Notions of Being / Moments of Being” and the spell had been broken.   Fairy Tales Updated (#16) had disappeared and so had Mirage Series (#12), that wonderfully balanced and powerful piece that kept Lavender Rain and The Sweetness of Juice in their place.   Blou Skil (#2) was absent and the space was vacant, as though abandoning Yellow River (# 1).  Some of the sculptured pieces were missing, most notably the woven piece # 8.  The threads of the conversation were broken. It made me realise what a beautifully curated exhibition this was, how each piece had been carefully selected both to balance the visual impact of the whole but also to exhibit the complexities of your oeuvre.

Read MoreSMAC exhibition February 2010 A personal response by Eithne Owens

“This is where we meet”, AVA gallery, Cape Town, February 2006

The work for this show started in 2003. It makes reference to earlier work but I have found new possibilities both in the way the work has been made and the reading that has informed it.

I clearly remember deciding that I needed to look at the tone of colours I had been using. I found direction in African textiles and as a weaver by trade this gave me a way in.

I have been able to shift my colour, find new surfaces, work with pattern and relocate or contextualise this body of work from a different view point, using previous experiences as references.

Read More“This is where we meet”, AVA gallery, Cape Town, February 2006